The higher the number the better the track is. End result is a number on gauge where the needle marker shows you the highest number of grip. Set the dial to zero, stand on the pads, and turn the "TRACK-METER" untill it spins loose from the track. The Competition Motorsports TRACK METER Track Surface Analyzer Tool is the BEST way to analyze current Drag Strip track conditions. Track Meter (Track Surface Analyzer) TrackMeter Product Description:
Wheels, Tires, Tire Gauges & Air Compressors. Tube Adapters, Weld Clevis & Miscellaneous Hardware. Engine, Transmission Mounts and B&M Shifters. Bushings, Threaded Clevises and Washers. Bottle Mounts, CO2 Bottles, Coolers & Filters. Body Mounting Kits, Dashes & Components. Bellhousing, Flexplate & Clutch Components. The Dynameter never leaves my master bus and always tells me how good of a job I do of conserving dynamics. I highly recommend the metering plug-ins from Meterplugs and Ian Shepherd. So even if you think they’re un-sexy and boring, they’re invaluable to making your productions better. It helps you see the gain of your instruments when you record, the loudness of your tracks when you mix and the dynamic range of your mixes when you master. Metering helps in every part of the production process. Sure, my metering plug-ins might not actively do anything, but they help me do my job better. Frequency Distribution – It lets me see any weird frequency build-ups or if the track is lacking in a specific frequency range. Peak and RMS – It lets me gauge the loudness and peaks of my mixes. Here’s just the two ways metering always help me when I mix and master.ġ. Metering keeps your tracks….err….on track. You know, those plug-ins that don’t do ANYTHING to your audio, but if you don’t use them you might as well be flying blind.Īudio metering is such an important tool, one that I’ve talked about extensively before, but it doesn’t get enough support. What I wanted to talk about is way less sexier. Beginners might think it voodoo magic but you can get the hang of some dirty mastering pretty easily enough. 
That’s definitely an important topic to discuss but I think it’s covered pretty extensively.Īnd not even mastering in general. We know that’s the topic on every engineer’s mind. It actually brings me to something that’s never talked about enough. But keep some of the dynamics for us to enjoy. You can record and mix as hot and loud as you want obviously, that’s your prerogative. Some of those remastered records that sounded so good way back when now sound terribly squashed because somebody ran them through the newest UltraMegaMasterizaTerrorizer! It was created to raise awareness of the loudness wars and how audio production has less and less dynamic range each year. Today I want to talk about Dynamic Range Day.
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